All Living Things

“Be respectful of the small insects,
birds and animal people who accompany you.
Ask their forgiveness for the harm we humans
have brought down upon them.”
Joy Harjo

All Living Things

There’s a poet I admire, Joy Harjo who is the first Native American Poet Laureate in the history of the position. Her poetry as well as her memoir, Crazy Brave are written with such simplicity and beauty that I find myself thirsty for more of her writings, especially since I’ve devoured all of her books.

Harjo was born in Tulsa, Oklahoma, in 1951 and is a member of the Mvskoke/Creek Nation. She is not only a talented poet, but also an author, musician and playwright. She incorporates into her writing storytelling and histories of her Nation and frequently incorporates indigenous myths, symbols, and values.

One of the subject matters she has touched on is the subject of Spirit Animal, Animal Guide and Spirit Helper. These terms are used among different cultures to describe spirits of benevolent nature, usually helping someone during a hard time. These spirits can bring strength, insight, and even a sense or feeling to someone who needs it.

Native American culture believes these Spirit Helpers are not a novelty. It isn’t something you choose or identify with but rather something that comes to you in your time of need. Perhaps the animal represents something that holds a certain value, such as strength in a bull or agility in a dragonfly. In the Native American Lakota culture, these spirits tend to associate values with certain animals. However, that’s not all they bring. They hold a special place and represent a larger spiritual culture within a tribe.

In many indigenous cultures, spirituality is about a relationship to everything around you – the plants and animals that provide food, the land that provides a home, and the weather that makes living possible. These elements are highly respected because they enable us to live.

I tend to believe our spirituality is strongly tied to the value and respect we hold for the earth and all living things.

Shine On

More Science and Less Fiction

“You may not see massive UFO exhibits
at your local science museum, but there’s
no dearth of saucer stories infesting my email.
Every day, I receive several reports of alien sightings,
extraterrestrial plans for Earth, and agitated screeds
about the reluctance of scientists to
take the whole subject seriously.”
Seth Shostak

flying_saucer_poster-02

The news report described the sighting of a shiny saucer like object over a small sleepy town in Idaho. The early dusk sighting witnessed by a barber and his customer.

Why is it my fellow Blogaholics, the majority of flying saucer sightings are by Joe Blow from Idaho? Why are sightings rarely seen in large metropolitan areas of the World? Most importantly, when and where did the terror of flying saucer sightings begin?

Apparently, disc-shaped flying objects have been recorded throughout history since the Middle Ages. The first highly publicized sighting was by Kenneth Arnold on June 24, 1947. On that day, Mr. Arnold was flying his small plane near Mount Rainier in Washington State when he saw something unexplainable at the same altitude he was flying. A chain of nine objects shot across the sky, glinting in the sun as they traveled. By his observation, these objects traveled at a speed of 1,700 miles per hour, or three times faster than any manned aircraft of its time.

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Kenneth Arnold with a sketch of a disc-shaped flying object.

Mr. Arnold never specifically used the term flying saucer. At the time, he was quoted saying the shape of the objects he saw was like a saucer, disc, or pie-plate, and several years later added he had also said the objects moved like saucers skipping across the water. Both the terms flying saucer and flying disc were used commonly and interchangeably in the media until the early 1950s. Then in 1952 the United States Air Force used a much broader term, unidentified flying objects or UFOs.

As time soon proved, this was just the tip of the iceberg and the era of UFO sighting had begun. It wasn’t long until everyone was looking for these new aircraft, which according to the papers were saucer-like in shape. In just a few short weeks, hundreds of reports of these flying saucers were made across the nation. While people thought they were seeing the same things that Kenneth Arnold saw, there was a major irony that nobody at the time realized. Kenneth Arnold hadn’t reported seeing flying saucers.

Miss Flying Saucer

Today many of the alleged flying saucer sightings of the era are now believed to be hoaxes. Photographs and movies altered by someone wanting to obtain their fifteen minutes of fame. The flying saucer is now considered largely an icon of the 1950s B-movies and is still a popular subject in science fiction.

This obsession with UFOs may have started several decades ago but it still is an area of science that is unable to be explained. Who knows, maybe in the not too distant future the Miss Universe pageant will be replaced by the Miss Flying Saucer pageant and there will be proof that UFOs are more science and less fiction.

Shine On

 

Icon of American Art

“People should take time to be happy.”
  Grandma Moses

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The Old Checkered House, 1943 oil on pressed wood

 

I have quite a few hobbies, but there’s one I really enjoy, drawing and watercolor painting. It’s one hobby that can put me into that zone of a perfect “flow”.

There are many artists I admire and try to emulate. When I started drawing and painting again in my 60’s, my late husband would kid me about becoming the next Grandma Moses. I always admired her recognizable Naïve art style, but knew little about the woman, so I read her 1952 autobiography.

Anna Mary Robertson Moses, known throughout the world as “Grandma Moses” was born September 7, 1860 in Greenwich, New York. In her 101-year life span, she witnessed the Civil War, a pandemic, two World Wars, the advent of the telegraph, the telephone, automobiles, airplanes and countless other innovations. She had always dabbled in the field of art all her life but it was only after all 10 of her children were grown and the burden of farm life lifted, did she begin painting full time.

Her life is really the story of twentieth-century folk art. Although she was not the first folk artist, she was the most well known throughout history and the world. How did she come to be so revered? The answer would appear to lie in a combination of factors. The nature of the field, the personality of the artist, and timing, which we all know is everything.

She had just turned 80 when in the 1940s Americans were reeling from the effects of a prolonged financial depression and filled with dread of rising fascism in Europe. In this time of tribulation, she emerged as an artist whose work embodied everything that seemed good about America.

She painted scenes of the farms and small towns that were then either the present or the near past for many citizens. She proclaimed the virtues of family, church, community and the nation at a moment when these were under attack from without and within, and she lived these virtues. Her basic honesty, generosity and good-heartedness shined forth both in her life and in her art.

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When her paintings began to sell for sizable sums, she became the first artist whose work was routinely licensed for such products as greetings cards, textiles, and the like. In 1953 she appeared on the cover of Time magazine. In 1955 she was interviewed on live television by Edward R. Murrow. Then, for her 100th birthday on September 19, 1960, Life magazine did a cover story to celebrate this remarkable woman.

Grandma Moses passed away on December 13, 1961, at the age of 101, having witnessed a broad swath of American history. She was born the year Lincoln was elected, and died while Kennedy was president.

Both her work and her legend endures here and abroad. This reflects not only the quality of her work but also the fact that she remains an icon of American art.

Shine On