Pathway to Photography

“What we do during out working hours
determines what we have;
what we do in our leisure hours
determines what we are.”
George Eastman

 

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Earliest known photograph taken 1825, by Joseph Nicéphore Niépce,

Our photos today look very different from the ones that were taken just two centuries ago. It was even more rare to have a photograph of one’s self. In just 200 years, the camera advanced from a small black box that took blurry photos to our high-tech mini computers found in our smartphones.

The concept of photography has been around since the 5th century. By the 11th century, an Iraqi scientist developed something called the camera obscura and voilà, the art of photography was born.

This early camera did not actually record images, it simply projected them upside down onto another surface. The images could then be traced to create accurate drawings of real objects such as animals, people and buildings.

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Daguerreotype Photo by Joseph Nicéphore Niépce, 1837

Around 1830, French inventor Joseph Nicéphore Niépce took the first permanent type photograph. He created heliography, a technique used for the world’s oldest photographic process. Shortly after inventing this technique, he formed an alliance with French artist, Louis Daguerre. Together they developed a new photo processing technique known as, Daguerreotypes. To make these images was not only laborious but also dangerous. For them to shoot and process just one photo, they would polish a sheet of silver-plated copper to a mirror finish, treat it with fumes that made its surface light sensitive, expose it in a camera for as little as a few seconds; make the resulting latent image on it visible by fuming it with mercury vapor; remove its sensitivity to light by liquid chemical treatment, rinse and dry it, then seal the easily marred result behind glass in a protective enclosure.

Tintype Photo

1856 Tintype Photo

By 1856, a process known as, Tintype photos were made and became more affordable for the average person to obtain photos of family and places. The materials to make these tintype photos were inexpensive, durable and faster to process. Still, the process for capturing a tintype photo was not that easy. First, the subjects had to remain perfectly still and moving was a no-no. Often the photographer would use body stands for people to remain still for up to six to thirty seconds. The image was not captured on a piece of tin, but rather a thin piece of iron with a black enamel coating. One of the chemicals used in the tintype process was cyanide. Tintype photography became easier but the processing was still very dangerous.

Tintype photography saw the Civil War come and go, documenting the individual soldier and horrific battle scenes. It captured scenes from the Wild West, as it was easy to produce by photographers working out of covered wagons.

Photography was only used by professionals and the very rich until 1888 when George Eastman started a little company called Kodak.

Thanks to Kodak, anyone could take pictures. They just had to send the camera back to the factory for the film to be developed and prints made, much like modern disposable cameras. This was the first camera inexpensive enough for the average person to afford.

Professional photographers began to use small 35mm cameras to capture images of life as it occurred rather than staged portraits. When World War II started in 1939, many photojournalists adopted this style.

The film was still large in comparison to today’s 35mm film. It was not until the late 1940s that 35mm film became cheap enough for the majority of consumers to use.

At the same time that 35mm cameras were becoming popular, Polaroid introduced the Model 95. Model 95 used a secret chemical process to develop film inside the camera in less than a minute.

The Polaroid camera was fairly expensive but the novelty of instant images caught the public’s attention. By the mid-1960s, Polaroid had many models on the market and the price had dropped so that more people could afford it. Unfortunately, in 2008, Polaroid stopped making their famous instant film and took their secrets with them.

Although the French introduced the permanent image, the Japanese brought easier image control to the photographer. By the 1950s, Asahi (which later became Pentax) introduced the Asahiflex and Nikon introduced its Nikon F camera. These were SLR-type cameras and the Nikon F allowed for interchangeable lenses and other accessories.

By the late 1970s and early 1980s, compact cameras capable of making image control decisions on their own were introduced. These “point and shoot” cameras calculated shutter speed, aperture, and focus, leaving photographers free to concentrate on composition.

By the mid 1980s, numerous manufacturers worked on cameras that stored images electronically. The first of these were point-and-shoot cameras that used digital media instead of film.

Kodak developed the first digital camera in 1975, but dropped the product for fear it would threaten Kodak’s main income, its photographic film business. However, they decided in 1999 to produce the first digital camera that was advanced enough to be used successfully by professionals. Other manufacturers quickly followed and today Canon, Nikon, Pentax, and other manufacturers offer advanced digital SLR (DSLR) cameras.

Mr. Niépce would be proud to see his hard work in the invention of a technique used to create the photographic process was the pathway to modern photos.

Shine On

I Must Mourn

“I say it with a sad sense of the disparity between us.
I am not included within the pale of this glorious anniversary!
Your high independence only reveals
the immeasurable distance between us.”
Frederick Douglass

 

Frederick Douglass

Frederick Douglass – February 1818 to February 20, 1895

 

Every year, Americans rejoice and celebrate Independence Day with great fanfare. Amidst colorful parades, flag hoisting ceremonies, and barbecue parties. On this day  Americans remember the suffering their forefathers endured to win them precious freedom.

For most of this country, this past 4th of July was less red, white and blue than normal. No parades, no concerts, no block parties or friendly barbecues but there was plenty of fireworks.

Shooting off any kind of fireworks is illegal in my neighborhood. You wouldn’t know that if you happen to be living or visiting here lately. The booms and hisses that start at sundown and go well into 3:00 am have been a nightly fixture since Memorial Day.

For the first time in decades, the 4th of July fireworks show was cancelled due to the Coronavirus. Redondo Beach has always had the traditional 4th of July fireworks display over the ocean for thousands to come and see for free. The show would begin at 9:00 pm and last for almost 45 minutes of spectacular fireworks ending in the explosive grand finale. Often when the show ended, the thousands of spectators would leave quietly and with very little trash left behind. If there were any stragglers left on the beach setting off small fireworks, you would see police peacefully and immediately put an end to these illegal activities.

There were no police to be found this 4th of July. There’s a war going on in this country right now not just with the Coronavirus but with all of its people.

A recent Gallup poll found that American Pride has hit a new low and few are proud of our political system. I don’t think I needed a poll to tell me this. It’s loud and clear. I hear the frustration every night, all night long.

It sounds to me, people are sick and tired of not working, lockdown, social distancing, not being heard, and most importantly lack of freedom.

We take for granted things we have had all our life. Take for granted people we know and love: Our good fortune and health: Our freedom. But, when we lose people we love, lose our health and good fortune what do we really have left? We have our freedoms of choice, speech, and the right to pursue our dreams. Most importantly, we have our freedom to pursue life, liberty and the pursuit of happiness.

On this 2020 Independence Day we must be reminded that not all Americans have enjoyed freedom since 1776. We must be reminded that there are still Americans, because of no fault of their own, have not been allowed to be truly free in their own country because of the color of their skin. They have not been free to pursue what all of us should have the freedom to do.

On July 5, 1852 Frederick Douglass gave a keynote address at an Independence Day event commemorating the signing of the Declaration of Independence, held at Corinthian Hall in Rochester, New York. Frederick Douglass escaped slavery in 1838 and fled North. He became a leader in the fight to abolish slavery entirely.  Douglass was a powerful orator giving lectures on abolition. His speech that day was a scathing speech in which Douglass stated, “I am not included within the pale of this glorious anniversary! Your high independence only reveals the immeasurable distance between us. The blessings in which you, this day, rejoice, are not enjoyed in common. The rich inheritance of justice, liberty, prosperity and independence, bequeathed by your fathers, is shared by you, not by me. The sunlight that brought light and healing to you, has brought stripes and death to me. This Fourth of July is yours, not mine. For what to the slave is the 4th of July?  You may rejoice, I must mourn.”

Shine On

All Living Things

“Be respectful of the small insects,
birds and animal people who accompany you.
Ask their forgiveness for the harm we humans
have brought down upon them.”
Joy Harjo

All Living Things

There’s a poet I admire, Joy Harjo who is the first Native American Poet Laureate in the history of the position. Her poetry as well as her memoir, Crazy Brave are written with such simplicity and beauty that I find myself thirsty for more of her writings, especially since I’ve devoured all of her books.

Harjo was born in Tulsa, Oklahoma, in 1951 and is a member of the Mvskoke/Creek Nation. She is not only a talented poet, but also an author, musician and playwright. She incorporates into her writing storytelling and histories of her Nation and frequently incorporates indigenous myths, symbols, and values.

One of the subject matters she has touched on is the subject of Spirit Animal, Animal Guide and Spirit Helper. These terms are used among different cultures to describe spirits of benevolent nature, usually helping someone during a hard time. These spirits can bring strength, insight, and even a sense or feeling to someone who needs it.

Native American culture believes these Spirit Helpers are not a novelty. It isn’t something you choose or identify with but rather something that comes to you in your time of need. Perhaps the animal represents something that holds a certain value, such as strength in a bull or agility in a dragonfly. In the Native American Lakota culture, these spirits tend to associate values with certain animals. However, that’s not all they bring. They hold a special place and represent a larger spiritual culture within a tribe.

In many indigenous cultures, spirituality is about a relationship to everything around you – the plants and animals that provide food, the land that provides a home, and the weather that makes living possible. These elements are highly respected because they enable us to live.

I tend to believe our spirituality is strongly tied to the value and respect we hold for the earth and all living things.

Shine On

More Science and Less Fiction

“You may not see massive UFO exhibits
at your local science museum, but there’s
no dearth of saucer stories infesting my email.
Every day, I receive several reports of alien sightings,
extraterrestrial plans for Earth, and agitated screeds
about the reluctance of scientists to
take the whole subject seriously.”
Seth Shostak

flying_saucer_poster-02

The news report described the sighting of a shiny saucer like object over a small sleepy town in Idaho. The early dusk sighting witnessed by a barber and his customer.

Why is it my fellow Blogaholics, the majority of flying saucer sightings are by Joe Blow from Idaho? Why are sightings rarely seen in large metropolitan areas of the World? Most importantly, when and where did the terror of flying saucer sightings begin?

Apparently, disc-shaped flying objects have been recorded throughout history since the Middle Ages. The first highly publicized sighting was by Kenneth Arnold on June 24, 1947. On that day, Mr. Arnold was flying his small plane near Mount Rainier in Washington State when he saw something unexplainable at the same altitude he was flying. A chain of nine objects shot across the sky, glinting in the sun as they traveled. By his observation, these objects traveled at a speed of 1,700 miles per hour, or three times faster than any manned aircraft of its time.

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Kenneth Arnold with a sketch of a disc-shaped flying object.

Mr. Arnold never specifically used the term flying saucer. At the time, he was quoted saying the shape of the objects he saw was like a saucer, disc, or pie-plate, and several years later added he had also said the objects moved like saucers skipping across the water. Both the terms flying saucer and flying disc were used commonly and interchangeably in the media until the early 1950s. Then in 1952 the United States Air Force used a much broader term, unidentified flying objects or UFOs.

As time soon proved, this was just the tip of the iceberg and the era of UFO sighting had begun. It wasn’t long until everyone was looking for these new aircraft, which according to the papers were saucer-like in shape. In just a few short weeks, hundreds of reports of these flying saucers were made across the nation. While people thought they were seeing the same things that Kenneth Arnold saw, there was a major irony that nobody at the time realized. Kenneth Arnold hadn’t reported seeing flying saucers.

Miss Flying Saucer

Today many of the alleged flying saucer sightings of the era are now believed to be hoaxes. Photographs and movies altered by someone wanting to obtain their fifteen minutes of fame. The flying saucer is now considered largely an icon of the 1950s B-movies and is still a popular subject in science fiction.

This obsession with UFOs may have started several decades ago but it still is an area of science that is unable to be explained. Who knows, maybe in the not too distant future the Miss Universe pageant will be replaced by the Miss Flying Saucer pageant and there will be proof that UFOs are more science and less fiction.

Shine On

 

Icon of American Art

“People should take time to be happy.”
  Grandma Moses

grandma-moses-painting1

The Old Checkered House, 1943 oil on pressed wood

 

I have quite a few hobbies, but there’s one I really enjoy, drawing and watercolor painting. It’s one hobby that can put me into that zone of a perfect “flow”.

There are many artists I admire and try to emulate. When I started drawing and painting again in my 60’s, my late husband would kid me about becoming the next Grandma Moses. I always admired her recognizable Naïve art style, but knew little about the woman, so I read her 1952 autobiography.

Anna Mary Robertson Moses, known throughout the world as “Grandma Moses” was born September 7, 1860 in Greenwich, New York. In her 101-year life span, she witnessed the Civil War, a pandemic, two World Wars, the advent of the telegraph, the telephone, automobiles, airplanes and countless other innovations. She had always dabbled in the field of art all her life but it was only after all 10 of her children were grown and the burden of farm life lifted, did she begin painting full time.

Her life is really the story of twentieth-century folk art. Although she was not the first folk artist, she was the most well known throughout history and the world. How did she come to be so revered? The answer would appear to lie in a combination of factors. The nature of the field, the personality of the artist, and timing, which we all know is everything.

She had just turned 80 when in the 1940s Americans were reeling from the effects of a prolonged financial depression and filled with dread of rising fascism in Europe. In this time of tribulation, she emerged as an artist whose work embodied everything that seemed good about America.

She painted scenes of the farms and small towns that were then either the present or the near past for many citizens. She proclaimed the virtues of family, church, community and the nation at a moment when these were under attack from without and within, and she lived these virtues. Her basic honesty, generosity and good-heartedness shined forth both in her life and in her art.

grandma-moses-life-cover

When her paintings began to sell for sizable sums, she became the first artist whose work was routinely licensed for such products as greetings cards, textiles, and the like. In 1953 she appeared on the cover of Time magazine. In 1955 she was interviewed on live television by Edward R. Murrow. Then, for her 100th birthday on September 19, 1960, Life magazine did a cover story to celebrate this remarkable woman.

Grandma Moses passed away on December 13, 1961, at the age of 101, having witnessed a broad swath of American history. She was born the year Lincoln was elected, and died while Kennedy was president.

Both her work and her legend endures here and abroad. This reflects not only the quality of her work but also the fact that she remains an icon of American art.

Shine On